![]() The Adobe Caslon from Linotype is more complete, and comes in 29 styles. ![]() Adobe Caslon was digitized by Carol Twombly for Adobe in 1990.Linotype offers 69 versions/weights of Caslon's text family.Caslon 3 by Linotype is a family based on the same Caslon 3 by ATF, 1905.Caslon Bold is the Bitstream version of Caslon 3 of the American Type Founders, 1905.Caslon Old Face: a Bitstream font based on a 1950s photocomposition font from Mergenthaler by George Ostrochulski, which in turn was faithful to Caslon's originals.LTC Caslon (2005, Lanston) is a large text family.Caslon 540 ( Bitstream) is based on an ATF font from 1902.Caslon Graphique (2002) is a Linotype version of the same face, and was drawn by Leslie Usherwood.DS Caslon-Gotisch by Delbanco is based on a Caslon Gotisch by william Caslon, ca.Caslon Graphique EF (2001) was patterned after a 1725 Caslon face.Ralph Unger made Caslon Gotisch (2010) based on an example found in a 1763 specimen book.Recasting Caslon Old Face discusses Specimens of the original Caslon Old Face printing types, engraved in the early part of the 18th century by Caslon I (1896).Ī listing of some digital version/revivals of Caslon's types: A specimen of cast ornaments (1795) is by William Caslon III and Charles Whittingham (1767-1840). Caslon&Co., passed down through various members of the family until 1937, when the rights were transferred to Stephenson Blake.Ĭheck out the free scanned version of A Specimen of Printing Types (1785, Galabin and Baker, London) by William Caslon III. His son, William Caslon II, took over the business upon his death in 1766. His types were just as highly regarded in America, where the Declaration of Independence was set in Caslon. The English reliance on Dutch types had finally come to an end. That is, I think, their secret: a perfection of the whole, derived from harmonious but not necessarily perfect individual letterforms.Ĭaslon's fame stems largely from his specimen of 1734, showing types that were considered to be superior to the Dutch types that inspired them. His letters when analyzed, especially in the smaller sizes, are not perfect individually but in their mass their effect is agreeable. Dutch fonts were monotonous, but Caslon's fonts were not so. Updike: While he modelled his letters on Dutch types, they were much better for he introduced into his fonts a quality of interest, a variety of design, and a delicacy of modelling, which few Dutch types possessed. ![]() His major influences were the Dutch designers Christoffel van Dijck and Dirck Voskens. The first fonts cut by Caslon were for Arabic (1725), Hebrew (1726) and Coptic (1731), but the designs date back to 1722. His Caslon Roman Old Face was cut between 17. ![]() His William Caslon Foundry was established by him in 1719, and would operate in London for over 200 years. William Caslon I was born in Worcestershire in 1692. TYPE DESIGN INFORMATION PAGE last updated on ![]()
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